DESIGNERS & ART CONSULTANTS | Helen Booth

About the Artist

My work explores the invisible, distilling the essence of landscapes and light into textured, contemplative forms. Rooted in abstraction, my paintings evoke both stillness and transformation, inviting viewers into moments of profound quiet. Influenced by nature's elemental forces, each piece serves as a meditation on connection and impermanence. Through my art, I strive to create spaces where the seen and unseen converge, offering a sense of timeless presence.
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Larger Works On canvas
Works On Paper

Ideal for international clients, works on paper are easier to ship and offer a more accessible option for those working within a smaller budget. Despite their scale, these pieces can make a strong impact—especially when grouped—creating a striking and cohesive display in any space.
See All Available Artworks

Available Artworks Over 100cm

Available Artworks Under 100cm

Available Artworks Under 30cm

Available Works On Paper
Trusted Worldwide

With a history of placements in distinguished interiors across the globe, my work has been carefully shipped to destinations including Tokyo, Dubai, Singapore, New York, Boston, Los Angeles, Paris, Geneva, and London. Each piece is professionally handled to ensure it arrives in perfect condition, ready to enhance its new setting.

Commissions
I offer bespoke commissions tailored to specific client needs. Working in oil, each commission typically takes around 12 weeks. To ensure satisfaction, I create two finished pieces for every project, allowing the client to choose their preferred artwork.

Commission Information

Shipping Information

I offer worldwide shipping, ensuring your chosen artworks arrive safely and promptly. Each piece is meticulously packaged to preserve its integrity during transit. Shipping costs and delivery times vary based on destination and artwork dimensions; detailed information will be provided upon purchase.
Snow Silent Emptiness

It is easy to see Booth as an abstract painter, playing with the language of colours and forms, as if disconnected from the world. But these paintings are not abstract, they are meta/physical landscapes, manifestations of the invisible rather than imitations of the visible. We stand in snowstorms of paint, mesmerised by waterfalls of light, memories of blizzards and landscapes, but at the same time we are stood gazing at the atomic reality of the world, engulfed in the ocean of atoms that surrounds, penetrates and unites us all. We glimpse objects coalescing into matter, and we see matter dissolve before our eyes.

Edges emerge and disappear as space unfolds around and within us, and before we know it, we have become absorbed into the interconnected reality of the world: realising we are only a momentary coagulation in the Being of the Universe.

Essay by Revd. Dr. Richard Davey

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